Tag Archives: Deep Blue

Graduate Theses Digitization Update #2


In 2016 the Frances Willson Thompson Library took steps to preserve and make more accessible UM-Flint’s graduate student theses and dissertations.

Since our last update we have continued to work on the project and track how many times the theses have been downloaded from Deep Blue, the University of Michigan’s institutional repository. We also helped Graduate Programs set up a work flow to capture newly submitted theses digitally and make them available to a wider scholarly audience more quickly. The process was implemented in the Fall 2016 semester and so far ten theses have been successfully submitted this way.

Deep Blue By the Numbers

  • 391 theses were added to Deep Blue between July 2015 and December 2016.
  • 159 theses (41% of the 391) have been downloaded at least once.
  • 3,223 total downloads, half of which were downloaded between October to December of 2016.
  • 123 of the 159 theses (77%) are designated as open access, meaning they are freely available to anyone on the internet through search engines like Google Scholar.
  • 119 of the 123 openly accessible theses (96%) have been downloaded at least once; and all of the top ten downloaded theses are open access.
  • 3,134 of the 3,223 total downloads (97%) are for the openly accessible theses.
A chart of the total number of downloads from July 2015 to December 2016.
A chart of the total number of downloads from July 2015 to December 2016.

Deep Blue Top 10 Downloaded Theses

Title Author Year Total
Faces of Feminism: The Gibson Girl and the Held Flapper in Early Twentieth Century Mass Culture Raina-Joy Jenifer Palso 2001 221
Hemingway in Turkey:  The Influence of His Turkish Experiences on His Writing Neriman Kuyucu 2013 185
Comparing Public and Private Prison Systems Joseph Shannon Gregson 2000 159
Shadow Warriors: Navy SEALS and the Rise in American Society Cory Butzin 2009 153
The Cult of True Womanhood: Women of the Mid-nineteenth Century and Their Assigned Roles as Reflected in Contemporary Writing Laurie Bonventre 2005 149
An American Indian Revolution:  The American Indian Movement and the Occupation of Wounded Knee, SD, 1973  Nicholas A. Timmerman 2012 149
Joseph McCarthy and the Loss of China:  A Study in Fear and Panic Adam Ferenz 2014 110
Capturing Detroit Through An Underground Lens:  Issues of the Sixties Inside Pages of the  Detroit Fifth Estate, 1965-1970 Harold Bressmer Edsall 2010 99
Ellery Queen: Forgotten Master Detective Cathy Akers-Jordan 1998 97
Chronic Obstructive Pulmonary Disease (COPD) and Advance Directives Melody Williams 2002 78

Going Forward

In 2017 we are continuing the project by reaching out to the remaining authors and preparing the second batch of theses for digitization, which we hope will take place later this year.

If you have any questions about this project, please contact Liz Svoboda at esvoboda@umflint.edu.

Graduate Thesis Digitization Update #1

For the past year, the Frances Willson Thompson Library has partnered with the UM-Flint Office of Graduate Programs, UM Library’s Deep Blue, and database provider ProQuest  to digitize the graduate theses of the University of Michigan – Flint.

The library’s collection of UM-Flint graduate theses.

(Click on any image to enlarge.)

A quick recap: in December 2015, we sent 375 theses to be digitized by ProQuest and in May 2016 we uploaded them into Deep Blue.

While the theses were being digitized we have been contacting the authors for decisions on how their work should be distributed through both ProQuest’s databases and Deep Blue.

Since the original news story was published on 25 April 2015, we have gotten a wonderful response from our authors.   Of the almost 400 authors that have been contacted, 190 have responded with their decisions on how their work will be shared with the larger scholarly community.

Most authors have decided to allow the full text of their work to be available in ProQuest’s Dissertations & Theses Global database, a major repository of graduate work from around the world (to which we provide access to current UM-Flint affiliates) and to be openly accessible through Deep Blue, the University of Michigan’s institutional repository.

Mr. Bradley’s donation to the library.

One interesting outcome of the project, has been an addition to the library’s collection by one of our alumni. Edwin Bradley, M.L.S. 2001 and M.A. 2012, is the curator of film at the Flint Institute of Arts.  After being contacted about his 2001 M.L.S. Master’s thesis American Film Short Subjects and the Industry’s Transition to Sound, Mr. Bradley informed us that he turned his research for the thesis into a book: The First Hollywood Sound Shorts, 1926 – 1931

A book reviewer from CHOICE magazine, a leading source for book reviews that librarians and other academics rely on, said this about the book:

“Bradley’s well-researched compendium describes and puts into context this important and somewhat forgotten era of film history. In the late 1920s, as movies began to talk (or squeak, screech, and otherwise express themselves orally), the film industry was faced with producing products that could quench the film-going public’s thirst for the new medium… One may draw a comparison between the early sound era and today’s world of the Internet/reality TV and find that in media and pop culture, the more things change, the more they stay the same. Then as now, there was a diverse audience with a huge appetite for entertainment and a nascent industry looking to make a quick buck by fulfilling the fickle public’s need for entertainment… Summing Up: Highly recommended.” (Dutka, 2005).

Mr. Bradley has donated a copy of his book to the Frances Willson Thompson Library and it is available for check out.

Currently, the library is working with Graduate Programs to digitally capture the theses of our most recent graduates and to contact the remaining authors.

Later this year, the Library plans to digitize the other half of the theses, most dating from the 1980s to the mid-1990s.

If you have any questions about this project, please contact Liz Svoboda at esvoboda@umflint.edu.

Dutka, A. J. (2005). The first Hollywood sound shorts, 1926-1931. Choice, 43(3), 446.